I wasn’t impressed with the trailers for this movie and was un-swayed by critics’ reviews, so I waited a while before braving this almost 2 hour and 50 minute movie. I worried, as I do with any longer film, that the time would be used appropriately. And hoped that time was not wasted on nonsensical scenes and interactions that were unnecessary to relay the film’s message. I did check my watch during the movie, not out of boredom, but out of worry that they would be able to aptly finish the story line before the movie ended. As the movie neared its end I wanted it to be longer. Which is a wonderful thing to say about a movie that is already quite long. So, yes, my apprehensions were blown away by my enjoyment of the film.
The soundtrack was wonderful and the visuals were stunning. I was almost saddened that I did not see it in 3-D or IMAX. Obviously, the accuracy of some of the things portrayed in the deep space scenes can only be guessed at because they are still part of the unknown, but one hopes that they are as stunningly beautiful and wondrous in real life as they are in these portrayals.
I guess one downfall of the movie would be that at times the soundtrack drowns out the spoken dialog. However, it manages to do so during repetitive or mostly nonessential parts of the dialog. For instance, it may cut in at the end of a countdown sequence and drown out the last bit. You are already aware it’s a countdown and you know how a countdown should progress, so it’s not necessarily a loss not to be able to hear it well over the soundtrack. But still I felt my ears straining during these scenes and wishing I had on the subtitles.
Some of the more enjoyable things about the movie for me were the robots TARS and CASE, as they provided me with many giggles. And a Deep Blue Sea Morgan Freeman moment that provided me also with a weird sense of joy. No, Morgan Freeman is not in this movie, but those that have seen Deep Blue Sea will most likely understand the type of scene I am referring to. And I’m not sure that Deep Blue Sea was the first to express such a scene in a movie, but it was the first to leave an impression on me and therefore, in my mind, is the pioneer of these types of scenes which seem to be a little more wide-spread nowadays. And they usually make me crack a smile after the initial shock wears off, as did the scene in Interstellar.